|
The Electra™ II creates multi-colored
beams of light that rotate back and forth via a 50W bulb. The Electra™ II features: Sound-Active outside mirror &
internal mirror move to the beat of the music and 2 position switch for internal mirror operation (switch between full rotate
or sound-active).
The mirror ball create a dazzling
effect of light & movement.
| SRM 450 (self-powered speakers) |
|
|
It has tight, steel-fisted bass to below 55Hz and detailed,
articulate treble out to 20,000Hz. Midrange is warm, natural, and free from ear-fatiguing harshness. The SRM450 has astonishingly
wide dispersion that lets your whole audience hear clearly, whether they're in the front, back, or way out on the sides of
the room. And above all, the SRM450 cranks! Without a hint of distortion, it effortlessly achieves sound pressure levels that
would melt conventional speakers into a pile of molten slag.
Shures T3 single antenna receiver
can be adjusted to make the wireless system output level identical to that of a cabled guitar/bass or wired microphone.
The squelch control is factory preset
for optimum performance. No further adjustment is normally required.
The T2/SM58 handheld transmitters come
with the SM58TM microphone capsules for true-to-life sound and reliability
|
 |
|
A dynamic effect, the Aggressor is extremely
bright and ideal for a large venue. It features 2 x 300W lamps that rotate to the music via the internal mic creating 40 sound
activated moving beams of multi-color light.
| Krypto Sync Green Laser Lights |
|
|
| Free Standing Black Lights |
|
|
Numark- Dual CD players
Real time scratching
Built in Beatkeeper™ with auto-mixing
and synchronization
Interactive DSP effects, reverse
±6, 12, 25 and 100% pitch control
±100% KEY LOCK with key control
2 complete seamless loops with 3
hot stutter starts
Track sequence programming
Digital output, CDR compatible
Fader start and relay
48 seconds of buffer memory for Anti-Shock™
Transport bay illumination light,
all-rubber buttons
Three band frequency isolators are provided on both main music
channels. This allows the DJ to boost, cut or fade frequency ranges with maximum control for truly active mixing. The world’s
first fader type cut switch enables smooth and dynamic frequency cut-off without the annoying “clicks” found on
regular “kill switches”. Balanced XLR and ¼ inch jacks are provided for easy connection in professional situations.
A –10/0db output level switch is also provided for professional installation use. User replaceable 45mm input faders
and 45mm cross fader make “on site service” very easy. Optional rotary faders can be fitted in place of the standard
45mm faders on the input channels for that “New York” style rotary effect in the mix. The location of the rear connector
panel can be selected from either the rear or on the base of the mixer. This feature allows the PMC-25 to be securely fixed
to a vertical rack without wasting rack space on cable connectors, or simply on a tabletop with the cables protruding from
the rear. An Aux (phono/line switchable) input is provided for third turntable, CD, MD,
|
|
|
|
|
|
|
|
